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July 2006 :: issue 33
 
 
 
Books This Month
1. Wake Up, Sir! by Jonathan Ames
2. Drinking: A Love Story by Caroline Knapp
3. The History of the World Through 6 Glasses by Tom Standage
4. Ham on Rye by Charles Bukowski
5. The Power and the Glory by Graham Greene
6. The Drinker by Hans Fallada
7. Young, Sleek, and Full of Hell by Aaron Rose
  Book News
Credits/About Us

Drinking
To toast the highs and lows of hitting the sauce, this month we bring you a selection of books on booze. Our picks confirm that while stylish tippling is apt to make you feel young, sleek, and full of hell, a lifetime of hitting the bottle frequently leaves one at rock bottom. Caroline Knapp's harrowing memoir of her addiction clearly illustrates the latter point, and mixes well with champion lush Charles Bukowski's boozy magnum opus. Hans Fallada's spare and devastating novel depicts the inner turmoil of a man who takes refuge in alcoholism amid the troubles of wartime Germany, while Graham Greene's immortal whiskey priest trades in baptisms and brandy. A couple of more recent books salute the sunnier side of spirits, and help make our love affair with these depressants seem less, well, depressing. Here's to strong drink, and good books.
- Toby Warner
 
 

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Fiction
Wake Up, Sir!
by Jonathan Ames

 


Published: 2004  
Pages: 334  
Publisher: Scribner  

Links:
Author site
Identity Theory interview
Slate article
Maud Newton interview
NY Times review
 
Synopsis
A neurotic writer indulges in alcoholic misadventures at an artists' colony, with literature's most famous valet in tow.

Review
In Wake Up, Sir!, Jonathan Ames' homage to the great P.G. Wodehouse, the setting has changed, but old Jeeves hasn't. Jeeves is still his sage, taciturn self — the ur-butler, always at the ready to serve his ne'er-do-well employer and still the ultimate straight man for the hilarity surrounding him. It's safe to say, though, that Wodehouse never imagined his most beloved creation reduced to inspecting his own pubis for crabs.

Jeeves would have Alan Blair to thank for that indignity. Blair, the narrator and star of his own self-obsessed story, is equal parts Anglophile and alcoholic, and Wake Up, Sir! is essentially his chronicle of a very unsuccessful weeklong attempt at sobriety. As the novel opens, 30-year-old Blair is suffering from second-novel syndrome and living with his aunt and uncle in New Jersey, having recently acquired Jeeves through a Yellow Pages domestic-help service. The pair leave NJ to get Blair back on the wagon, and no sooner has he fallen off than he receives a call from the Rose Colony — a spitting-image of legendary Yaddo — inviting him for a residency. Booze is as much a fixture of artists' colonies as the neuroses of its guests, and this retreat is no exception. From this tipsy beginning, the novel becomes an 80-proof comedy of manners, wherein Blair, variously wasted and hung over, chases tail, ruminates with Jeeves (who, we realize, may or may not be a figment of Blair's imagination), and does very little writing. To those who say that alcoholism is no laughing matter, Ames begs to differ.

One can never imitate the inimitable, but it is perhaps the greatest tribute to his source material that Ames' novel can be just as funny as the original. More than 30 years after his death, the cult of P.G. Wodehouse is clearly alive and well, as is his most enduring character: after a decade of servitude, Jeeves was recently dismissed by the second-rate search engine that so defiled his name. Jeeves is for hire, so to speak — one hopes Ames can find a way to keep him busy.
- Chris Lamb


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Nonfiction
Drinking: A Love Story
by Caroline Knapp

 


Published: 1997  
Pages: 304  
Publisher: Delta  

Links:
Caroline Knapp obituary
Legacy.com guestbook
The Merry Recluse
Pack of Two
 
Synopsis
A memoir of a high-functioning alcoholic's descent and recovery.

Review
Most memoirs are organized either chronologically or by themes. In Drinking: A Love Story, however, Caroline Knapp charts her recovery from alcoholism as a sort of literary spiral staircase, in which she revisits the salient events of her life again and again, from increasingly more evolved levels of understanding. Although this narrative style is initially slightly maddening, it replicates the healing process with an uncanny and vivid accuracy.

An Ivy League-university graduate, Knapp was a self-described high-functioning alcoholic. At the time she entered rehab, she had an award-winning newspaper column and a loving, supportive beau and set of friends. But make no mistake: she was also a hard-core boozer who shook in the mornings until she had her first drink.

Did her disease stem from having a psychiatrist father who analyzed rather than nourished her, from her emotionally austere mother, or from a genetically derived, core hunger? For Knapp, such questions are less compelling than the process through which she learned to face her life unaided by addictive substances. Ever the thorough journalist, she draws on statistics and other writers' revelations to supplement her own observations — such as when she describes how addictions insinuate themselves into our lives like the bad lovers we cannot bear to shed even after they try to destroy us.

This is not a memoir that nondrinkers can read smugly. Rather, it encourages everyone, through its fierce honesty, to examine their own behaviors more boldly. How do we avoid growth? What do we hide behind? How are we not present in our daily lives? With painstakingly precise diction that's as sober as her hard-won mental state, Knapp suggests that we all anesthetize ourselves in one way or another whenever we defer to something other than our truest selves.
- Lisa Rosman


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Nonfiction
The History of the World Through 6 Glasses
by Tom Standage

 


Published: June 2005  
Pages: 311  
Publisher: Walker & Company  

Links:
Author site
The Victorian Internet
 
Synopsis
The technology editor at the Economist explores how liquid refreshment not only quenched humanity's thirst throughout history but also determined how cities developed, wars were fought, and lives were lived.

Review
If recent titles are to be believed, oysters, zero, cod, salt, spice, and dust have all been catalysts for some of history's momentous developments. Perhaps as an anodyne to the imposing spectacle of human progress, many writers have chosen to filter the past through the lens of the commodity, but such efforts can often feel contrived. Thankfully, Tom Standage's historical weltanschauung holds water. Actually, not merely water, but also beer, wine, spirits, coffee, tea, and cola.

Standage's The History of the World Through 6 Glasses is much what you might expect. It follows Stone-age man to Space-Age man through their respective beverages of choice. Unlike other recent, materialist histories, however, Standage's account makes a convincing central claim: man didn't make the drink; rather, the drink made man. Take beer, for instance: discovered virtually simultaneously with cereal grains around 10,000 BCE, beer helped induce man to abandon his theretofore-nomadic existence. By the time of the Egyptians, beer was widely used as currency: the first written document, a clay cuneiform wage slip from 3,200 BCE, prominently features the symbol for beer.

Beer, along with wine and coffee, can be called the "good glasses" in Standage's narrative. Wine brought together the Greeks in democratic symposia while, for the socially conscious Romans, it offered an excuse for conspicuous consumption and class differentiation (a legacy of snobbery that still resonates today). Coffee was the Enlightenment's great equalizer, as both gentlemen and peasants could meet in cafes. According to Standage, this fraternal milieu was largely responsible for the French Revolution.

Spirits, tea, and cola, however, played far more nefarious roles on the world stage. Rum, made from molasses, a by-product of sugar production, became an integral part of the malevolent triangle trade of sugar, spirits, and slaves. Tea fuelled Dutch and English colonization of the Near East. Coca-Cola — which accounts for 3 percent of humanity's total liquid intake — is a tool of and a symbol for American domination.

One almost wishes Standage was making this up, but his facts are well-marshalled and his analysis is sober. He may see the world through glasses, but they're not rose-colored ones.
- Joshua David Stein


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Fiction
Ham on Rye
by Charles Bukowski

 


Published: 1982  
Pages: 288  
Publisher: Ecco  

Links:
Introduction to Bukowski
Author Site
Bukowski Bio
 
Synopsis
Arguably the single most infamous heavy drinker in contemporary literature, Charles Bukowski gives a vivid, mostly autobiographical account of his difficult childhood in 1930s and '40s Los Angeles.

Review
As in much of his fiction, Charles Bukowski employs the narrator and antihero Henry Chinaski to channel his own personal experiences. These are in turn transformed into simple yet engrossing tales of the quintessentially down-and-out, rebellious loner — an archetypal image that Bukowski projected throughout all of his works.

Conceived as a response to (and titular pun on) The Catcher in the Rye, Ham on Rye conveys Bukowski's own coming of age, from his first sensations of isolation as a toddler underneath a kitchen table to his turbulent teenage years and the helplessness that grows as he continues to drown himself in drink.

Bukowski's deceptively sparse prose moves along at a rapid but never overwhelming pace. Henry seems destined to be the outsider from the beginning, born into poverty and attracting "the poor and the lost and the idiots" from the first day of school to the last, a condition that becomes physically marked by his development of severe acne vulgaris.

Through a catalog of brutally violent fisticuffs, unlikely sexual opportunities, and drunken rampages, our narrator remains indifferent yet conscious of the "phoniness" that surrounds him. However, Henry's alienation is even more disaffected than Holden Caulfield's. Chinaski's indifference to the material and psychological struggles of the Great Depression takes on an almost existential flair, and drinking becomes the only reliable source of joy in a life forever mired in a tangled, often darkly humorous morass of complications. Bukowski offers us an unobstructed view into the chaotic and unforgiving world which spawned him; it is a glimpse of the rocky bottom that no reader is likely to forget.
- Kai Hsing


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Fiction
The Power and the Glory
by Graham Greene

 


Published: 1971  
Pages: 221  
Publisher: Penguin Classics  

Links:
Author Bio
Greene's 2000 page biography
The Fugitive
Greene in the Age of Bush
 
Synopsis
Fleeing religious persecution in a Communist state of Mexico in the mid-20th century, a whiskey priest journeys through the country — facing something far more terrible at the bottom of each bottle than in front of a firing squad.

Review
As a writer, reporter, converted Catholic, and even a double agent for the Secret Intelligent Service, British-born Graham Greene traveled to the farther, messier corners of the globe looking for illumination amid hypocritical social movements and gruesome war zones. From the rubble, Greene pulled out characters as gritty and shattered as the wreckage on which they stood.

In The Power and the Glory, the scene is a rural Communist state in Mexico. A priest has eluded the fate of his peers — who have either succumbed to marriage or the firing squad — and remained a working cleric in the destitute villages whose churches have all burnt down. Without the regiment of the Church, the whiskey priest must confront a more complicated notion of piety, as his morals quickly unravel into his bartering baptisms for brandy.

A leftist lieutenant in the capital makes it his mission to rid the state of this one last priest, tracking him across mountains and swamps and killing hostages in every village. Each time the priest is on the verge of crossing a border into safety, a desperate call from the dying in need of illicit prayers brings him back into the dark interior. On the lam, the priest meets gringos and mestizos who hide him, scorn him, betray him, and beg him for forgiveness.

Greene merges the sinner and the confessor — a dichotomy steeped in the prohibited sacramental wine — as the whiskey priest journeys across Mexico, finding pockets of both religion and anarchy, hope and despair. With no one left to hear the priest's own confessions, it falls to the reader to listen to him recount how he has sinned and why he does not regret it.
- McKay McFadden


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Fiction
The Drinker
by Hans Fallada

 


Published: 1950  
Pages: 282  
Publisher: Marlboro Press  

Links:
Author Bio
Hans Fallada
Little Man, What Now?
 
Synopsis
A stark account of a middle-class merchant's plunge into alcoholic madness drives this powerful Nazi-era, autobiographical novel.

Review
Hans Fallada wrote The Drinker over two weeks in 1944, while residing in a a criminal asylum near AltStrelitz, Germany. He was confined there for the attempted murder of his wife. Given these inauspicious beginnings, the book has been especially troublesome for critics. It's disingenous, however, to look at The Drinker as anything but the personal reflection of an author torn asunder by a turbulent society in collapse.The novel begins as narrator Erwin Sommer's successful grocery concern teeters on the brink of collapse. With sparse language, the book composes an intimate psychological profile of an obsessive who would fling everything to the wind sooner than ask for assistance. He empties his savings and steals his wife's silver — anything for another moment with his muse, Elinor, a village barmaid he fixates upon during his initial jag and who becomes his queen of schnapps, ruler of a woozy and throbbing world.

All his life, Fallada — a pseudonym chosen by Rudolf Ditzen — has inflicted tortures upon himself and others. During a melancholy childhood, he killed a chum when a suicide pact disguised as a duel went awry. Ditzen later grew into morphine addiction, alcoholism, and a carton-a-day smoking habit, with eventual trips in and out of institutions and prisons. Astonishingly, Ditzen found time to write nearly two dozen books during his dissolute life, very few of which are available in English. While Little Man, What Now? is justly famous for its excavation of pre-War German consciousness, The Drinker is an equally profound exploration of the author's own demons of substance abuse.

While the book's spare tone, lack of flashy language, and stark portrayal of German society are all signature marks of Ditzen, The Drinker more closely resembles Evelyn Waugh's The Ordeal of Gilbert Pinfold. The novel is clearly founded in life experience, yet its narrative flights of fancy cultivate readers who place confidence in the narrator's inner turmoil, but remain wary of the details.
- Nick Parish


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Art
Young, Sleek, and Full of Hell
by Aaron Rose

 


Published: May 2005  
Pages: 150  
Publisher: Drago Arts and Communication  

Links:
Zing magazine
Fecal Face interview
Beautiful Losers site
Beautiful Losers book review
ANP Quarterly
 
Synopsis
A retrospective look at Alleged Gallery, the notorious progenitor of the downtown underground art scene, in its several incarnations.

Review
The space ended up in Aaron Rose's hands after a drunken transaction at a bar with a woman who was moving out of her apartment on Ludlow Street, in NYC. Alleged Gallery began as an impromptu crash pad, practice space, and late-night hangout after all the bars were closed, and through Rose's facilitation and increasing curatorship, it developed into the definitive, experimental installation and street-art gallery for the "poor and famous."

Through a brief introduction, sequential photographs of the gallery's past, interviews with artists, and a final conversation between Brendan Fowler and Aaron Rose, Young, Sleek, and Full of Hell charts the gallery's trajectory from its beginnings, hype, climax, and eventual move to Los Angeles. Alleged's definitive show, 1993's Minimal Trix, brought the lo-fi skateboard attitude to light with work like Mark Gonzales' spray-paint installations, setting the tone for subsequent shows defiantly championing deviant subcultures. In 1997, the move to a posher space on Prince Street pushed the gallery toward shows with more grandeur, more polish, and more commercial value. The show The Independents boasted large wall and sculptural installations by Margaret Kilgallen and Chris Johanson, boosting those artists' status toward the mainstream. Eventually, after several artists took their work to more middle-of-the-road, commercial galleries, and Alleged itself had made several short-term moves, Rose decided to take his gallery back home to Los Angeles, as a bookstore and project space.

If Young, Sleek, and Full of Hell looks back nostalgically at Alleged's history, it does so because of its deep involvement with many of the artists who passed through the gallery's doors. Fowler's interviews with musicians, artists, and others are transcribed in all their rough honesty, serving not only to preserve the book's personable, grassroots voice but also to demonstrate the genuine excitement and energy that lifted the gallery's reputation into both celebrity and infamy.
- Jules Gaffney


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BOOK NEWS
A few notable bits of recent book news.

  • Wherefore art thou? (Google)

  • Google launches a Shakespeare engine.

  • Steinbeck's heirs no longer as poor as his characters (Guardian)

  • A court decides Steinbeck would have left his rights to his heirs, had he known Oprah would bless him with her book club.

  • A Trip to Vancouver with Alice Munro (NY Times)

  • A tour of the city through Munro's settings reveals more than sushi and rollerbladers.

  • Museum of Modern Literature opens (Maude Newton)

  • Germany shows off more than soccer this summer, with such literary treasures as Nietzsche's death mask and original Kafka manuscripts on display.

  • Yankees win again (NY Times)

  • Congress names Donald Hall, a true Northerner, as the nation's fourteenth Poet Laureate.

  • Prohibited: Kissing Goddesses (BBC)

  • An Indian writer is charged with defiling a goddess in his novel.

  • The big deal (Publishers Weekly)

  • MySpace launches a contest where published memoir writers pass on winning manuscripts to their editors.

  • Is it because we all need more of it? (WFMY)

  • According to the OED, "Time" is the most popular English noun.

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    CREDITS

    Editors
    Toby Warner
    Mark Mangan
    Paul Laster
    Jocelyn K. Glei
    McKay McFadden
    Nick Merritt
    Chris Gage

    Editors-at-Large
    Larry Weissman
    Sean McDonald

    Contributors
    Jules Gaffney
    Kai Hsing
    Chris Lamb
    McKay McFadden
    Nick Parish
    Lisa Rosman
    Joshua David Stein

    Production & Design
    Anjuli Ayer
    Jessica Bauer-Greene
    Morgan Croney
    Sascha Lewis

    Cover Art
    Barry McGee working on a painting for his show in Tokyo, 2000
    Photo: Cheryl Dunn
    From Young, Sleek, and Full of Hell
    Published by Drago Arts and Communication
    Courtesy Distributed Art Publishers, Inc.






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