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Synopsis
Remember when the far right didn't mind Hitler? Philip Roth does in this startling
rewriting of mid-20th-century American history.
Review
One of the best books of the year, Philip Roth's The Plot Against America documents
the creeping American fascism
that almost was. While fascism is commonly associated with goose-stepping
soldiers, book burnings, and Mussolini podium-poundings, the bureaucracy of autocratic governing
can be far more frightening. Wrapped up in red tape like a Christmas gift, institutional fascism's
deceptive everyday banality can render its doubters Chicken Littles — even as the stratosphere
plummets to earth.
From the perspective of his seven-year-old self, Roth imagines the Nazi-sympathizing aviator Charles Lindbergh
beating Roosevelt in the 1940 presidential election and the Hitler-collaborating administration
that ensues. The Roths' New Jersey household — father Herman, mother Bess, brother Sandy, and
Philip — reacts with fear and revulsion to America's slither toward Nazi pogroms, finding solace
solely among other Jews and in gossip columnist Walter Winchell's
weekly Lindy-baiting radio show.
But when new federal policies result in Sandy being shipped off to Kentucky, the Roth nest begins to
crumble: daily rituals disappear, friends leave for Canada, and the FBI begins investigating the family.
The hysteria cuts to Philip's aching heart as he vacillates between trusting his father's increasingly
paranoid rants and the government's patronizing reassurances to the Jewish community.
Waking up a stranger in your own country is trying enough for adults, but for children — who grasp
at familiarity like it is a life preserver — the ordeal is doubly hard. Especially when your
nation's flag becomes a villain's cape billowing beneath swastika fireworks. (YS)
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| FICTION |
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Graceland
by Chris Abani
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| Published: |
February 2004 |
| Pages: |
336 |
| Publisher: |
Farrar, Straus and Giroux |
Links:
Author bio
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Synopsis
A teenage Elvis impersonator hustles to survive in Lagos, Nigeria in this brutal and compelling debut novel.
Review
Elvis Oke, the wayward hero of Chris Abani's Graceland, is a teenage street performer
impersonating his namesake, trying to stay afloat in Maroko, one of the countless overcrowded
and vibrant shantytowns dotting the outskirts of Lagos, Nigeria. Set to a booming soundtrack
of afrobeat, reggae, and funk, the hard streets of this modern Babylon brim with clever,
eccentric, and beautiful survivors, whose loves, struggles, and betrayals Abani celebrates.
This is Elvis' home, and he makes little more than bus fare performing for puzzled foreign
tourists. A stubborn autodidact, he picks up dancing by watching Fred Astaire and Bollywood
movies, and learns as much from black market pulp novels as from his dog-eared copies of Ellison,
Dostoevsky, and Achebe.
Unable to make ends meet, Elvis looks to Redemption, his connected outlaw of a best friend,
who introduces him to a life of easy money, through hustling in nightclubs and smuggling
drugs — or even worse commodities. Also vying for control of Elvis' destiny are his
alcoholic father and an aging dissident turned wise man called the King of Beggars. Excerpts
and recipes from his deceased mother's journals stitch together this sinuous narrative.
Binding a restless plot into two converging storylines, Abani alternates snapshots of Elvis'
painful childhood with chapters tracing his rough-and-tumble adolescence. As the stories converge,
Nigeria's corrupt military government is plotting to demolish Maroko, on whose streets there are
rumblings of a popular rebellion. Naturally, Elvis is caught in the middle, and must choose which
of his father figures he should follow or forsake, in his quest to escape to that distant Graceland
of his imagining, the United States.
Abani was tortured for his writing, and he unflinchingly depicts the entrenched exploitation that
haunts Nigeria. Graceland quivers with almost unrelenting violence, which can at times be
overwhelming. But brave readers should not be discouraged: this is a rich, brutal, and thoroughly
engrossing novel. (TW)
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Synopsis
An exciting overview of a young, contemporary art movement inspired by surfing,
skateboarding, graffiti, independent music, and other forms of low culture.
Review
Working outside the art world, the artists in this traveling exhibition catalog
are rebels influenced by youth subcultures in styles born on the street. Operating
on the fringes of society, they have all been arrested at one time or another — a claim few other art movements can make. But in the past five years, these ambitious outsiders,
particularly Barry McGee and
Chris Johanson, have risen to the forefront of the art
market and are being celebrated worldwide.
Scene insiders Aaron Rose
and Christian Strike have organized a colorful show and highly
entertaining book, which includes informative essays by such players as perennial hipster
and Paper magazine editor Carlo McCormick, Open City editor and skateboard connoisseur
Jocko Weyland, and art impresario Jeffrey Deitch, who divulges humorous accounts of
pursuing and showing these young radicals. Though the written word brings us up to date
on this thriving scene, it's the visuals that make this tome so compelling.
Mixing ephemera, documentary photos, installation shots, and illustrations of finished
pieces, the editors give us an edgy view of the current wave, as well as the precursors
that paved the way. The artists of Beautiful Losers (which was titled after a free-form
Leonard Cohen novel) include Phil Frost,
Mark Gonzales, Margaret Kilgallen, Ryan McGinness,
Clare E. Rojas, and others, while the roots are represented by legends such as Keith Haring,
Jean-Michel Basquiat, Larry Clark, and Dogtown and Z-Boys' Craig R. Stecyk III. As the suburbs
and the cities blend into one here, what stands out is the curious fact that those who were
labeled least likely to succeed have proved the establishment wrong. (PL)
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MORE 2004 BOOK RECOMMENDATIONS
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FICTION
Like the Red Panda
by Andrea Seigel (April 2004)
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Heralded as "anti-chick lit," Like the Red Panda follows the final days
of high school for talented, driven, and unhappy Stella as she struggles for
closure with school, and toys with the idea of suicide. Unlike most teenage
narrators, Stella's sharp-tongued disaffection is not merely posturing, and her
funny and sometimes striking criticisms of others are cushioned with sincere warmth.
(CNH)
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NONFICTION: POLITICS
What's the Matter with Kansas?: How Conservatives Won the Heart of America
by Thomas Frank (June 2004)
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Using his home state of Kansas as an example, Frank explains how conservatives
have managed to exploit social issues such as school prayer and gay marriage to
obscure the GOP's true fiscal policies. Weaving real world examples and policy
issues into an engaging and often funny narrative, he unearths the faux populism
of this bait and switch, and how it has won the day in American politics. (PM)
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FICTION
Little Scarlet: An Easy Rawlins Mystery
by Walter Mosley (July 2004)
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Walter Mosley brings back Easy — and quite literally resurrects his hoodlum
cohort Mouse — for the eighth and finest installment in this series. Set in LA
immediately following the Watts riots, Mosley weaves a story of race and reconciliation
over a sturdily built murder mystery that overflows with colorful characters and
tough guy confrontations. (AA)
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COMIC
In the Shadow of No Towers
by Art Spiegelman (September 2004)
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Part 9/11-memoir, part comics history lesson, In the Shadow of No Towers is
Art Spiegelman's first graphic novel since MAUS. To make sense of that day, Spiegelman
buried himself in old comics, finding eery echos of the falling towers in such classic
strips as Little Nemo,
Krazy Kat,
and the Katzenjammer Kids. The result is this polemical
and soul-searching work, which re-imagines those uneasy months in the style of early
broadsheet newspaper comics. (TW)
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COMIC
Get Your War On II
by David Rees (September 2004)
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With inspiring brilliance, satirist savant David Rees tackles the Bush
administration with simple elements even the guy in the Oval Office could
understand: comic strips and four-letter words. It's worth reading just for
the laugh-out-loud moments, but this is a book that's taken on new meaning
since November — as Rees becomes the perfect companion for post-election
spleen. (AA)
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FICTION: SHORT STORIES
Seconds of Pleasure
by Neil LaBute (October 2004)
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Neil LaBute easily trounces Ethan Coen
in the (not particularly well-attended) race
between successful, iconoclastic filmmakers to see who can publish the best book of
short stories. Sharp, witty, and stacked with LaBute's signature characters —
blithely ill-willed and horrifically flawed — the collection will be appreciated
by anyone tickled by his moral bludgeonings. (CNH)
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FICTION
Astonishing Splashes of Color
by Clare Morrall (October 2004)
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This moving, astute debut about a woman who, losing her mother when she was a child,
and the chance to be a mother herself when she miscarries her first child, feels
trapped between a past she can't remember and a future she'll never have. She is
synesthetic, so the present is suffused with the astonishing colors of the title (also
a reference to that other paean to motherless children, "Peter Pan"), and enhanced
by her equally colorful — though never charicatured — extended family. (TG)
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FICTION
Gilead
by Marilynne Robinson (November 2004)
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Gilead appeared last month like a revelation for book reviewers.
James Wood gushed about it in the NY Times, and Slate's review enthused
with unabashed missionary fervor. Narrated as a letter by a 76-year-old pastor
who believes he is dying, the fiery poetry of his pious ecstacies should
move even the most devotedly secular reader. (CNH)
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FICTION
Links
by Nuruddin Farah (March 2004)
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The latest novel from perhaps the best known writer from Somalia follows the return
of Jeebleh, a Somali living in Queens, to his native city to investigate a
kidnapping. Harrowingly potent, but also surprisingly playful and intricate, Links'
portrait of the teeming Mogadiscio underworld is something you won't soon forget. (AA)
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ART
Colorama
by Alison Nordstrom, Peggy Roalf (October 2004)
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This book presents a striking selection of panoramic photographs from the 18-by-60-foot
Colorama display in New York City's Grand Central Terminal from 1950 to 1990. The gigantic backlit color transparencies were produced by the Eastman Kodak Company to portray photography as an essential leisure activity in the most ideal manner. The 50 featured
photos say as much about America during these times as it does about the medium. (PL)
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ART
Supernatural: The Work of Ross Lovegrove
by Ross Lovegrove (July 2004)
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This stylish monograph offers an in-depth view into contemporary designer Ross Lovegrove's
creative process and innovative products. His award-winning designs for furniture, bicycles,
and other contemporary objects are discussed by writers such as MoMA curator Paola Antonelli
and experimental architect Greg Lynn, and beautifully illustrated with dynamic images and
splendid layouts. (PL)
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BOLDTYPE 2004 RECAP
Below are several other notable books published in 2004 that we reviewed in previous issues of Boldtype.
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BOOK NEWS
A few notable bits of recent book news.
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The final word on Plath? (Slate)
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 The restored edition of Sylvia Plath's Ariel turns out to be an unexpectedly
hopeful book — but can it finally put to bed the controversy surrounding Ted Hughes' edits?
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Madwoman found in attic after 60 years (Guardian)
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 The garret that hid the real-life Mrs. Rochester — the tragic prisoner in Charlotte
Brontë's Jane Eyre — has been found in Yorkshire.
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Marquez one-ups Nabokov (Guardian)
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 His new novella, Memorias de mis putas tristes, (not yet available in English)
concerns a 90 year-old-man's love for a 14-year-old-girl. Relax, he just watches her sleep.
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Seven Pillars of Wisdom is a must read in Iraq (Christian Science Monitor)
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 The Pentagon lists T.E. Lawrence's memoir at #2 in a list of 100 books recommended for US forces.
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Former poet laureate Mona Van Duyn dies (CNN)
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 Van Duyn, who won a Pulitzer for Near Changes in 1991 and was named the first woman
US poet laureate a year later, died at 83.
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A round-up of 2004 book awards
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 Catch up on the 2004 Pulitzer
winners, the 2004 National Book Award winners,
the shortlist for the Man Booker,
and Publishers Weekly's book of the year.
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Publications announce their picks for the best books of the year
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 The New York Times gives
us their 100 notable books; the
Village Voice, their 27 favorites;
the Independent,
a big list in 14 categories; Salon,
their ten top picks; and the Guardian, a big
list from 41 writers and critics.
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